Commes des Garcon; avante garde fashion

Commes des Garcon

I LOVED this top row. ‘Unfinished’ garments that I would straight up wear.

Commes des garcon

The architecture they created to display the show was just ineradicable.

Forgive me for not posting sooner on the MET’s Spring Costume Institute’s exhibit, Rei Kawakubo/ Commes des Garcon: Art of the In-Between. This show is smaller than last years, but in my opinion, exceedingly more impressive. The layout and architecture that the curator used to display the show was a work of art itself. The Architecture creating two stories and abstract shapes  made this show almost be sensory overload, but in the best way possible.  Seems like a contradiction right?  Well, Rei Kawakubo is not here to make you feel all warm and fuzzy inside, and neither is this show. Her brand, Commes des Garcon translates to “Some of the Boys.”  She is a Japanese artist who was not interested in keeping with tradition.  She turns traditional ideas on their head. Take the journey through the show though photos below.

Comme des Garcon, dealth dress

There are little black dresses sewn into this dress. Creepy as hell.

Commes Des Garcon

The cut and style here was so dreamy and a little creepy.

Comme des Garcon

This front dress, I’d wear it.

The first thing that caught my eye was the Birth/Marriage/Death section.  The Victorian era cut and look speaks to my romantic soul.

 

 

 

 

 

 

Commes Des Garcon

The tailoring on these jackets reminded me of Alexander McQueen. Just loved these sleeves!

The suites were amazing.  I loved the tailoring.  This grey one does not seem to be very practical, but that was a trend I could tell though the entire show.  She does not care if the garment is practical or adheres to some fashion ‘standard.’ She just creates what she likes.

 

 

 

 

Commes des Garcon

Red tartan completely made me think Alexander McQueen.

Commes des Garcon

The sleeves. I’m in love with the one on the right behind the grey.

The rest of the show really got into abstract creations.  It was a wild ride into the art of “I really am creating art and not functional fashion.”  And I liked it.

 

 

Commes des Garcon

I could see how this influenced other styles. I liked the cage-like black ribbon detailing.

If you are looking for avant garde fashion,

Commes des Garcon

This was crazy! Looked like baby bottoms sewn onto an outfit.

there really is no one better than Rei Kawakubo.  I felt like this was an art show that happened to be clothing.  Truly an interesting and fun exploration into what is fashion, what is art, and is there really a difference? Perhaps not.

 

 

 

 

I really loves these colors and feudal Japanese influences.

Commes des Garcon

At first glance these seems normal, and then you see there are random bumps and lumps where they would not normally be.

 

 

 

 

 

 

 

 

Commes des Garcon

I would wear some of this in the heart of winter in New York.

Commes des Garcon

The head pieces here reminded me of Tim Burton.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Manus X Machina

Living in New York City, I have the great fortune to have access to so much great art and fashion exhibits.  I will do my bestto go to every fashion exhibit I can to share photos with you all and give my thoughts.

Chanel Wedding Dress Manus X Machina

Featured dress in the show. Chanel Wedding Dress designed by Karl Lagerfeld. The train is hand drawn, then the design is digitized, machine fabricated, and then hand beaded.

The first one I attended this year is the new Metropolitan Museum of Art’s Costume Institute show, Manus X Machina curated by Andrew Bolton. This show if you were able to attend the China Through the Looking Glass show is a lot smaller in scale, but not smaller in impact. The entire show is based off of the book, the Encyclopedie, ou Dictionnaire raisonne des sciences, des arts et des metiers (Encyclopedia, or systematic dictionary of the sciences, arts, and crafts), and broken down into sections.  Each section highlights the following: floral, feathers, beading, embroidery, pleating, leather work, lace and a section devoted to handmade tailoring.

The show, covering two stories, is Fashion Design Basics 101 for anyone who wants to compare old and new techniques.  After walking through the show I really wished there was a Rent the Museum Exhibit site like Rent the Runway.  If there are any savvy tech minded fashion people out there, I’m looking at you!

One of the fascinating aspects of the show is they paired classic pieces with contemporary works. They also comparison to pret-a-porter (ready to wear) and masison de coutre (couture house) in the show.  To me this emphasized that the quality of a garment is not contingent on if it is hand made or not.  There were dresses made by hand next to 3D printed works. One fascinating dress was made out of  Magnetized rubber!

I happened to have gotten a tour of the MET’s Watson Library three days before the opening and the word in the museum was the show was still not finished.  However many hours of working to finish in time paid off.  The show has stunning work in it (just ignore some spelling errors and the vinyl letters that don’t stick to the canvas downstairs).

Please enjoy a small photo tour of pictures I took below!

Florals Manus x Machina

These four designs are from the floral section. I would wear all of these.

Feathers Manus X Machina

These are from the feather section. The bird on is all silicone. There were dresses made entirely out of cut straws as well. Mind Blown.

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Dresses from the leather section. The White ones are lazer cut and the black one is all folded flowers using origami technique!

3D printed dresses Manus X Machina

3D Printed dresses from throughout the show. The designer, Iris Van Herpen, is a visionary in my opinion.

Pleated manus x machina

Pleated Dresses. That circle, it becomes the dress to the right.

Chanel Suits Manus X Machina

Chanel Suits. I died.

manus x machina

Ever wonder how a dress gets designed and put together? Wonder no more! These forms showed us half finished designs that let us peek into the process.

Manus X Machina

1940’s dress with 2000’s machine dress. A video plays above it showing you how the dress basically breaths in and out.

Beading manus x machina

The far left dress is a Chanel 1940/50 hand made dress. I would wear this in a hear beat. This is from the beading section. The beading work on every dress was flawless.

lace Manus x Machina

This was the oldest dress there from the late 1800’s. It is in the lace section. The hand made lace was just beautiful. It made me wonder what it looked like brand new.

Lace Manus x Machina

From the lace section. I LOVED this outfits use of lace, feather, and beading to create contouring.

Lace Manus X Machina.

1920’s lace dress. I want one in every color please.

Lace Manus x Machina

Contemporary lace dresses. Alexander McQueen’s dress on the left caught my eye right away. I always love his work, even if I could never wear it.

Flowers Manus X Machina

This is in the flower section as well. Even though I would never wear this skirt, this sweater I would so rock in a heartbeat! I enjoyed the scientific breakdown like a text book. The dress behind it, 1950’s stunner!

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Also in the flower section. This dress is made entirely out of metal. In order to get into it, you open up the back and step in, and then are locked in. It has wheels on the bottom to be able to move around. No thank you, but interesting modern take on a seethe dress.

Flowers Manus x Machina

Another pair from the floral section. These are Prada dresses and I want them both complete with the broaches. I’m a sucker for Prada.